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Mittwoch, 4. Juli 2012

Half a Year, twenty Books and a whole new Person

It is the first week of July and halway-through-the-year-posts are mushrooming everywhere over the blogging community. Of course I meant to join the general trend anyway with an update on my reading challenges, my progress in personal life as well as in reading and plans for the rest of the year, but until last night I had no idea how much this past half-year really changed me.

Yesterday I was sitting on the balcony and reading Wuthering Heights when my sister came by in a very bad mood and asked how I could read such boring books. Needless to say, she never read Wuthering Heights or any other Brontë, in fact the only classics she ever touched were a few German and Austrian books she absolutely had to read for school. Never did she read or even want to read an English classic, she knows nothing of Dicken's adorable characters apart from what she saw in the Mickey Mouse adaptation of A Christmas Carol, she never stayed up until the early hours of the morning to finish a case with Sherlock Holmes and if you mentioned the name Wilkie Collins in her presence I'm sure she would think you were talking about a woman. More than anything, she never read a thought which so essentially mirrored the depths of her soul that the author must have known her, must have written these sentences about her because surely no one else in the world could feel exactly the same, just to be reminded that those thoughts were published hundreds of years before she was born.

How dare she call the classics boring and stupid when she has never read them? To say it with her own words: because they are old, and old books cannot be interesting. She is not able to imagine that maybe even when an author wrote his book by hand and had never heard of a thing like the telephone he may have felt the same feelings as she does and captured them in his writings. She cannot envision that she will feel less alone because in Jane Eyre there is a girl who thinks exactly the same way she does and who is entirely so like herself that the fact that she never lived matters little. She knows nothing of kindred spirits.
And, despite my angry attempt to explain all this to her, she can't waste her time trying to read something which she knows to be absolutely boring when there are so many good, i.e. new (fantasy) books out there.

After our argument I was furious because she condemned something I love without knowing anything about it, without giving it a chance and without listening. A little later I was sad, because I realised that most people think like my sister and that in fact I don't know anyone in real life who reads the way I do. While I love the blogging community and find it wonderful to exchange thoughts and opinions with all of you I cannot help feeling lonely at times because I can never have a face-to-face discussion about the books I read with anyone. Anyway, right now I'm feeling neither sad nor lonely, but happy and thankful for this past half-year.

I started reading the classics and simultaneously blogging in December, so now I am looking back on the first half-year of reading classic literature in my life. Not counting a few non-classic titles, I have read twenty books until now. That is not much, but you cannot imagine how much those twenty titles have changed me. Half a year ago I would have shrugged and wondered a little about it if someone had told me that all books written before 1900 were boring, now I am starting a fiery argument because those twenty books turned me into someone else. They changed me because A Tale of Two Cities made me turn pages quicker than the finale of Harry Potter could and because the love story in Jane Eyre captivated me more than the one in Twilight. Even though I am still a raw beginner, have not read a tenth of what I would like to have finished by now and in all honesty know virtually nothing about literature, I feel like I have progressed immensely. I may not be doing too well in my reading challenges, which is rather I am failing them epically, but I am not worried at all. Firstly, I have two months of holidays before me to catch up and will probably read from sun-up to sun-down and secondly I feel that I have already learned that which is most important and which so many never do because they are either too lazy or to prejudiced: to love the classics with all my heart.

Freitag, 30. März 2012

Finally The Classics Club


I feel like I am the last person in the world to join this, but here is my list
for The Classics Club, the most amazing project ever, hosted by lovely Jillian.
It took me quite long to put this list together and you can't
imagine how many titles were crossed out again and replaced by others,
but I am now so arrogant as to say that once I have read everything on it, I
shoud have gained a tiny little overview of literature.  At least it should
provide me with some knowledge for my further explorations. 
My goaldate is 29/7/2016, chosen because it is my twentieth birhday.
The rules also say we should think of a reward for ourselves. There are
currently exactly 111 titles on my list and I am going to treat myself when
I have read more than half of them, meaning 56. It's in the rules, right?
What I am opting for is one of this lovely pendants I have been admiring
for ages: 

Fellow book nerds: they're available here
All of them have literary quotes on them and currently I would go for the one depicted above, but perhaps this project is going to change all my bookish  preferences? Anyway, here's my list (without any particular order within the centuries):

Pre-1700s
1.       The Theban Plays: Oedipus the King, Oedipus at Colonus, Antigone, Sophocles
2.       Don Quixote, Miguel de Cervantes
3.       The Pilgrim’s Progress, John Bunyan
4.       The Canterbury Tales, Geoffrey Chaucer
5.       The Art of War, Sun Tzu
6.       The Divine Comedy, Dante Alighieri
7.       The Iliad, Homer
8.       The Odyssey, Homer
9.       Paradise Lost, John Milton
10.   The Faerie Queene, Edmund Spenser
11.   Il Decamerone, Govanni Boccaccio
12.   Macbeth, William Shakespeare
13.   Richard III, William Shakespeare
14.   As you like it, William Shakespeare
15.   Henry VIII, William Shakespeare
16.   Much Ado about Nothing, William Shakespeare

1700s
17.  Moll Flanders, Daniel Defoe
18.  Clarissa, Samuel Richardson
19. Tom Jones, Henry Fielding
20.   Nathan der Weise, Gotthold Ephraim Lessing
21.   Die Leiden des jungen Werther, Johann Wolfgang von Goethe
22.  Gulliver’s Travels, Jonathan Swift
23.   Candide, Voltaire
24.  The Last of the Mohicans, James F. Cooper

1800s
25.  The Devil’s Elixir, E.T.A Hoffman
26.  Persuasion, Jane Austen
27.  Emma, Jane Austen
28.  Lés Miserables, Victor Hugo
29.  The Count of Monte Christo, Alexandre Dumas
30.  The Three Musketeers, Alexandre Dumas
31.  Madame Bovary, Gustave Flaubert
32.  The strange Case of Dr Jekyll and Mr Hyde, Robert Louis Stevenson
33.  Good Wives, Louisa May Alcott
34.  Wuthering Heights, Emily Brontë
35.  The Tenant of Wildfell Hall, Anne Brontë
36.   Villette, Charlotte Brontë
37.  Crime and Punishment, Fjodor Dostojewski
38.  The Brothers Karamasow, Fjodor Dostoyevsky
39.  The Complete Sherlock Holmes, Arthur Conan Doyle
40.  Middlemarch, George Elliot
41.    North and South, Elizabeth Gaskell
42.  Faust, Johann Wolfgang von Goethe
43.  Far from the Madding Crowd, Thomas Hardy
44.  Tess of D’Urbervilles, Thomas Hardy
45.  The House of the Seven Gables, Nathaniel Hawthorne
46.  The Portrait of a Lady, Henry James
47.  Moby Dick, Herman Melville
48.  Ivanhoe, Sir Walter Scott
49.  Anna Karenina, Leo Tolstoy
50.  War and Peace, Leo Tolstoy
51.  Vanity Fair, William Makepeace Thackeray
52.  Uncle Tom’s Cabin, Harriet Beecher Stowe
53.  The Picture of Dorian Gray, Oscar Wilde
54.   A Connecticut Yankee in King Arthur’s Court, Mark Twain
55.  Walden, Henry David Thoreau
56.  The Fall of the House of Usher & other short stories, E. A. Poe
57.  Oliver Twist, Charles Dickens
58.  David Copperfield, Charles Dickens
59.   Nicholas Nickleby, Charles Dickens
60.  Hard Times, Charles Dickens
61.   Our Mutual Friend, Charles Dickens
62.  The Mystery of Edwin Drood, Charles Dickens
63.  The Woman in White, Wilkie Collins

1900s
64.  Gone with the Wind, Margaret Mitchell
65.  The Metamorphosis, Franz Kafka
66.   Collected Poems, W.B. Yeats
67.   Ulysses, James Joyce
68.   A Portrait of the Artist as a Young Man, James Joyce
69.   I know why the Caged Birds sing, Maya Angelou
70.   A Handmaid’s Tale, Margaret Atwood
71.   A Clockwork Orange, Anthony Burgess
72.   The Good Earth, Pearl Buck
73.   If on a Winter’s Night a Traveler, Italo Calvino
74.   Heart of Darkness, Conrad Joseph
75.   Rebecca, Daphne Du Maurier
76.   As I Lay Dying, William Faulkner
77.   The Great Gatsby, F. Scott Fitzgerald
78.   I Capture the Castle, Dodie Smith
79.   The Sun also Rises, Ernest Hemingway
80.   Brave New World, Alduous Huxley
81.   1984, George Orwell
82.   To Kill a Mockingbird, Harper Lee
83.   One Hundred Years of Solitude, Gabriel Garcia Marquez
84.   The Waste Land, T.S. Eliot
85.   The Heart is a lonely Hunter, Carson McCullers
86.   Beloved, Toni Morrison
87.   Siddharta, Hermann Hesse
88.   To the Lighthouse, Virginia Woolf
89.   A Room of One’s Own, Virginia Wollf
90.   Mrs Dalloway, Virginia Woolf
91.   The Age of Innocence, Edith Wharton
92.   Ethan Frome, Edith Wharton
93.   The Hobbit, J.R.R.  Tolkien
94.   The Lord of the Rings, J.R.R. Tolkien
95.   East of Eden, John Steinbeck
96.   Of Mice and Men, John Steinbeck
97.   The Crucible, Arthur Miller
98.   Norwegian Wood, Haruki Murakami
99.   Midnight’s Children, Salman Rushdie
100.Doctor Zhivago, Boris Pasternak
101.Catch-22, Joseph Heller
102.Peter Pan, J.M. Barrie
103.Fahrenheit 451, Ray Bradbury
104.The Perks of Being a Wallflower, Stephen Chbosky
105.The Power and the Glory, Graham Greene
106.The Bell Jar, Sylvia Plath
107.Collected Poems, Robert Frost
108. A Passage to India, E.M. Foster
109. A Room with a View, E.M. Foster
110. The Catcher in the Rye, J.D. Salinger
111.The Unbearable Lightness of Being, Milan Kundera
What do you say? Good choices? Bad? Are you joining too? Do we have any titles in common on our lists?


Montag, 6. Februar 2012

Sydney Carton, my hero - February Prompt

This is my entry for the February Prompt of November's Autumn's Classic Challenge and since I have just finished Dickens's amazing A Tale of Two Cities and have tons to say about a certain drunkard, I'll devote this post to one of the most impressing characters ever: Sydney Carton.

Those are the questions, but I am only going to follow them roughly:
Level 1
What phrases has the author used to introduce this character? What are your first impressions of them? Find a portrait or photograph that closely embodies how you imagine them.

Level 2
How has the character changed? Has your opinion of them altered? Are there aspects of their character you aspire to? or hope never to be? What are their strengths and faults? Do you find them believable? If not, how could they have been molded so? Would you want to meet them?

Level 3
Try writing a short (four sentences +) note or letter as the character, addressed to you, another character, the author, anyone.
Sydney Carton is first introduced during the trial of (innocent) Charles Darnay, he is his attorney, together with Mr. Stryver. While Mr. Stryver does most of the talking and Sydney appears to not even pay attention, he is the one who ultimately turns the case around and saves the accused.
Mr. Carton, who had so long sat looking at the ceiling of the court, changed neither his place nor his attitude, even in this excitement. While his teamed friend, Mr. Stryver, massing his papers before him, whispered with those who sat near, and from time to time glanced anxiously at the jury; while all the spectators moved more or less, and grouped themselves anew; while even my Lord himself arose from his seat, and slowly paced up and down his platform, not unattended by a suspicion in the minds of the audience that his state was feverish; this one man sat leaning back, with his torn gown half off him, his untidy wig put on just as it had happened to fight on his head after its removal, his hands in his pockets, and his eyes on the ceiling as they had been all day. Something especially reckless in his demeanour, not only gave him a disreputable look, but so diminished the strong resemblance he undoubtedly bore to the prisoner (which his momentary earnestness, when they were compared together, had strengthened), that many of the lookers-on, taking note of him now, said to one another they would hardly have thought the two were so alike. Mr. Cruncher made the observation to his next neighbour, and added, "I'd hold half a guinea that he don't get no law-work to do. Don't look like the sort of one to get any, do he?"
Yet, this Mr. Carton took in more of the details of the scene than he appeared to take in; for now, when Miss Manette's head dropped upon her father's breast, he was the first to see it, and to say audibly: "Officer! look to that young lady. Help the gentleman to take her out. Don't you see she will fall!"
So, although he appears to be simply a good-for-nothing, we are quickly shown that there is much more behind his reckless manner than visible at first.

Mr. Carton, lonely to the right

Mr. Carton initially hates Charles Darnay because he sees in him everything he could have been. He sees his life as irredeemably wasted and although he drinks to forget what a miserable life he is leading, he insists that he cannot change it. Sydney Carton is convinced that there is nothing good or honourable in him and therefore he does not interfere when Lucie Manette and Charles Darnay marry, even though he is madly in love with her. He is convinced that he as a melancholy, wasted drunkard would only bring her down and he loves her too much to burden her with him. So when he finally breaks down and confesses her his love, he does not expect (not even hope) that Lucie returns his affection, he says:  "I have known myself to be quite undeserving. And yet I have had the weakness, and have still the weakness, to wish you to know with what a sudden mastery you kindled me, heap of ashes that I am, into fire--a fire, however, inseparable in its nature from myself, quickening nothing, lighting nothing, doing no service, idly burning away."
If you find no other reason to read this book, do it for Sydney's confession. It is one of the most beautiful and saddest declarations of love in the whole of literature at the same time.
At the end of the book Sydney willingly sacrifices his own life through switching places with Charles Darnay and going to the guillotine instead of him. He does it out of his love for Lucie, but what impressed me the most is that he does it without telling anyone. His beloved Lucie doesn't learn of his heroic deed until after his death, she cannot even thank him or tell him good bye. In the last days of his life the hero he has been at his heart all the time finally shows, because through sacrificing himself he proves his own conviction of being worthless wrong.
This is a letter Sydney Carton could have written before being executed, I know it won't be as good as Dickens's style of writing, but don't judge me too harshly.
My beloved Lucie,
I wish you to know that these last breaths I take are the happiest I have taken since I grew to manhood. I am walking to the doom of my body knowing that my soul will live on in your life, and in the lives of all those who are dear to your heart and for whom I shall cease to breathe joyously.
I hold a desire in my heart which burns even though my mind knows it to burn needlessly; the desire to ask you to never forget me. It is needless because I know you, most graceful creature whose feet have ever touched this impure ground, to be a loyal and unwavering soul and I foresee that you will weep more for my soon uncaged spirit than I could ever have the honour to deserve.
One last thought, my dear: Even though I lay down my life for yours and your husband's and your children's (for who knows if little Lucie shall not be blessed with an infant brother soon?), it is really you who is my saviour.
For your sake I have perhaps not lived my life in vain despite all my wandering and it is only through my love for you that I will find resurrection. It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.

For ever your devoted servant,
Sydney Carton

Freitag, 30. Dezember 2011

This will be craic - Ireland Reading Challange

To take my mind off less enjoyable things (Les Misérables...) I have decided to sign up for another, really fantastic challange: The Ireland Reading Challange at Books and Movies.
Since those amazing two weeks last August I am a devoted lover of the Emerald Isle, so this challenge is heaven sent for me.
It is about reding books written by Irish authors and/or set in Ireland and/or involving Irish history or Irish characters (what a surprise).


I am participating at the Luck o' the Irish level which means I'll have to read 6 different books, and one of them is going to be by James Joyce, I promise!
I hope I can learn more about this fascinating country and have fun, of course.

Sonntag, 4. Dezember 2011

Finally a challenge!

After looking around on some great book blogs for a while I am proud to announce that I've finally chosen my first official reading challenge for 2012. It may seem a little strange to you how important this is to me, but considering my usual aversion to planning forward for longer than a week this really is a big thing for me!
Every time I try to plan something it's the same: First I am really excited and plan on doing much more things than it is possible for a breathing human being, then I get caught in tiny little details and in the end I am so frustrated that I give it all up.

Anyway, not this time! Without further procrastination I disclose my participation in Howling Frog Book's Greek Classics Challenge 2012!
I am aiming for level Thucydides which means that I will have to read at least 11 classic greek works.
I thought I would use this challenge as kind of an extra motivation to get on with my own Greek Tragedies Challenge, so I will mostly be reading plays from my list. However, I really appreciate the chance to share my thoughts on the greek classics with the other participants. I love discussing and I think this will be an excellent opportunity to do so.

All that's left to do for now is to try and figure out how to post the owl badge (which is gorgeous indeed)on my blog. Wish me luck!